1. We owe allegiance to nobody except the financial interests which provide our money; and, to them, the sole responsibility of ensuring a profit, not a loss.
2. Every single foot in our films is our own responsibility and nobody else's. We refuse to be guided or coerced by any influence but our own judgment.
3. When we start work on a new idea we must be a year ahead, not only of our competitors, but also of the times. A real film, from idea to universal release, takes a year. Or more.
4. No artist believes in escapism. And we secretly believe that no audience does. We have proved, at any rate, that they will pay to see the truth, for no other reason than her nakedness.
5. At any time, the self-respect of all collaborators, from star to prop-man, is sustained, or diminished, by the theme and purpose of the film they are working on. They will fight to work on a subject they feel is urgent or contemporary, and fight equally hard to avoid working on a trivial or pointless subject.
- from a letter written by Emeric Pressburger to Deborah Kerr, asking her to appear in The Life and Death of Colonel Blimp.
Via Stylus Magazine's Bluffer's Guide to The Archers