backstage
Posted by dave at 12:29 0 comments
Labels: Fleetwood Mac, music, Ne Change Rien, Nirvana, Pedro Costa, Stevie Nicks
Posted by dave at 01:43 0 comments
Labels: Edith Wharton, Ethan Frome, literature, poetry
Carbonised bodies face-down in the nuclear wasteland
all the Buddhas died,
and never heard what killed them.
Posted by dave at 19:37 0 comments
"10) "Shuttin' Detroit Down" John Rich. On matter of national crisis and national shame, as usual, country shoots first. That doesn't mean one likes the aim (cf. Keith comma Toby), but there's something remarkable about how quick is the draw. In mid-November of 2008, the CEOs of Chrysler and GM arrived in Washington to request bailout money — in private jets. By January, the dwarfier half of Big & Rich had recorded this song. The chord progression's pretty prêt-a-porter, but it's hard not to be captivated by a song that draws its lexicon equally from talk radio (Wall Street vs. Main Street, etc) and from political economy, from whence it conjures with impressive clarity the distance between "the real economy" and finance: "pardon me if I don't shed a tear," runs the leadup to the chorus, "they're selling make-believe, and we don't buy that here." It's a wonder he doesn't mention fictitious capital. And then the chorus:
Cause in the real world they're shuttin' Detroit down
While the bossman takes his bonus pay and jets on outta town
DC's bailin' out them bankers as the farmers auction ground
Yeah while they're livin' it up on Wall Street in the New York City town,
Here in the real world they're shuttin' Detroit down.
...and then it goes into the specifics of retirement accounts! Equally remarkable for its subtlety and strangeness is the transfer that goes on almost unannounced, wherein the "real economy" is equated with the farmer who works the land — a core assumption of the genre, one might say — against the fancies of New York City bankers, but the opposite of Manhattan turns out to be not some agricultural scene, rather Motown. These places turn out to be fully swappable, because they are both the negative of fictitious capital. It's like he totally gets it about where value comes from. I mean really."
- jane dark
Posted by dave at 21:06 0 comments
The best films I saw for the first time in 2009, in rough order of preference:
Up (Pete Docter and Bob Peterson, 2009)
To Catch a Thief (Alfred Hitchcock, 1955)
Two Lovers (James Gray, 2008)
Eccentricities of a Blonde-haired Girl (Manoel de Oliveira, 2009)
Che (The Argentine and Guerrilla) (Steven Soderbergh, 2008)
Our Daily Bread (King Vidor, 1934)
Inextinguishable Fire (Harun Farocki, 1967)
The Last Days of Disco (Whit Stillman, 1998)
Canary (Alejandro Adams, 2009)
Summertime (David Lean, 1955)
Itinéraire de Jean Bricard (Danièle Huillet and Jean-Marie Straub, 2008)
Their Newspapers (Harun Farocki, 1968)
Frontier of Dawn (Philippe Garrel, 2008)
Le Garcu (Maurice Pialat, 1995)
Scenes from the Class Struggle in Portugal (Robert Kramer, 1977)
Inglourious Basterds (Quentin Tarantino, 2009)
They Live By Night (Nicholas Ray, 1948)
Touched in Head (Jacques Doillon, 1974)
Chronicle of Anna Magdalena Bach (Danièle Huillet and Jean-Marie Straub, 1968)
Man's Castle (Frank Borzage, 1933)
Smorgasbord / Cracking Up (Jerry Lewis, 1983)
L'intrus (Claire Denis, 2004)
Um Filme Falado (A Talking Picture) (Manoel de Oliveira, 2003)
The Shining (Stanley Kubrick, 1980)
Silent Light (Carlos Reygadas, 2007)
Imitation of Life (Douglas Sirk, 1959)
Stalker (Andrei Tarkovsky, 1979)
Videograms of a Revolution (Harun Farocki, 1992)
Moses and Aaron (Jean-Marie Straub and Danièle Huillet, 1973)
The Docks of New York (Josef von Sternberg, 1928)
Ishtar (Elaine May, 1987)
Liverpool (Lisandro Alonso, 2008)
An American Tragedy (Josef von Sternberg, 1931)
Ne change rien (Pedro Costa, 2009)
Prison Images (Harun Farocki, 2000)
Rendez-vous de Juillet (Jacques Becker, 1949)
Dead End (William Wyler, 1937)
The Exploding Girl (Bradley Rust Gray, 2009)
The Mad Songs of Fernanda Hussein (John Gianvito, 2001)
In Comparison (Harun Farocki, 2009)
The Savage Innocents (Nicholas Ray, 1960)
Black Fury (Michael Curtiz, 1935)
Cassandra's Dream (Woody Allen, 2007)
Forgetting Sarah Marshall (Nicholas Stoller, 2008)
Images of the World and the Inscription of War (Harun Farocki, 1988)
Broken Embraces (Pedro Almodovar, 2009)
The Inglorious Bastards (Enzo G. Castellari, 1978)
Respite (Harun Farocki, 2007)
Superbad (Greg Mottola, 2007)
An Image (Harun Farocki, 1983)
Beeswax (Andrew Bujalski, 2009)
El cant dels ocells (Albert Serra, 2008)
American Madness (Frank Capra, 1932)
Harry Potter and the Half-Blood Prince (David Yates, 2009)
Star Wars: The Phantom Menace Review (Red Letter Media, 2009)
Nathalie Granger (Marguerite Duras, 1972)
The Fly (David Cronenberg, 1986)
The Danish Poet (Torill Kove, 2006)
Extreme Private Eros: Love Song 1974 (Hara Kazuo, 1974)
Impolex (Alex Ross Perry, 2009)
Bluebeard (Catherine Breillat, 2009)
Nick and Nora's Infinite Playlist (Peter Sollett, 2008)
Unas fotos en la ciudad de Sylvia (Jose Luis Guerin, 2007)
Cours du soir (Nicolas Ribowski, 1967)
One P.M. (Jean-Luc Godard and D.A. Pennebaker, 1972)
Maneater (Timothy Busfield, 2009)
7 Women (John Ford, 1966)
In The Country (Robert Kramer, 1966)
Let's Get Started (Azazel Jacobs, 2008)
The Whirled (Ken Jacobs, 1956 - 1963 / 2004)
Little Miss Sunshine (Jonathan Dayton and Valerie Faris, 2006)
Black Legion (Archie Mayo, 1937)
Night Nurse (William A. Wellman, 1931)
Crawford (David Modigliani, 2008)
Wall Street (Oliver Stone, 1987)
No Greater Glory (Frank Borzage, 1934)
Medicine for Melancholy (Barry Jenkins, 2008)
The Taste of Life (Harun Farocki, 1979)
Network (Sidney Lumet, 1976)
The Pleasures of the Flesh (Oshima, 1965)
You Won't Miss Me (Ry Russo Young, 2009)
Eros Plus Massacre (Yoshida Yoshishige, 1969)
Three on a Match (Mervyn LeRoy, 1932)
Trash Humpers (Harmony Korine, 2009)
Don't Let Me Drown (Cruz Angeles, 2009)
I'm No Angel (Wesley Ruggles, 1933)
Posted by dave at 18:01 1 comments
Labels: 2009, Year in Review

People ask them 'why do you do this to your people?' and the riot guards ask for forgiveness, 'Bebakhshid' they can be heard to say.A reader adds:
'You are Yazid's - the Khalif against whom the Ashura uprising took place - forces', the woman shouts at them. One of the protesters then reassures them that they will not be beaten up, all they have to do is say Khamenei is a bastard. The woman can then be heard saying 'All you can do is kill your people is it?' and again they plead saying 'Please We are not killers'.
What he leaves out is that the young woman who is heard towards the end yells "Are you only brave on your motorbike, you piece of shit?!" before apparently kicking him as a man tells her to stop.
Posted by dave at 07:46 0 comments
"The living that throng Broadway care little perhaps for the Dead at Antietam, but we fancy they would jostle less carelessly down the great thoroughfare, saunter less at their ease, were a few dripping bodies, fresh from the field, laid along the pavement. There would be a gathering up of skirts and a careful picking of way..."
- The New York Times, October 1862
[via Susan Sontag's Regarding the Pain of Others]
Posted by dave at 07:37 0 comments
Labels: images, Quotes, Susan Sontag, warfare
Posted by dave at 03:54 0 comments
Labels: Colossal Youth, Juventude em Marcha, No Quarto da Vanda, Ossos, Pedro Costa
"I'm a school photographer and will never forget the picture I took of a little girl with luekemia. This 10-year-old, came up to my camera sat down and whipped her wig off. I stood there in shock for a second. To this she responded "I want to be remembered as me. Not as the girl with the wig"
I went home a different person that day. I'm proud to say that picture was not airbrushed."
[via PostSecret, link currently inactive]
Posted by dave at 20:43 0 comments